127 2017 12-2018 01 SOLDATINI (ENG).pdf

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B
IMONTHLY
- D
ECEMBER
- J
ANUARY
2018
127
www.aurigapublishing.it
NUMBER
127
C
REATIONS
10
12
14
18
24
32
34
40
44
50
The Fencing master
by Piersergio Allevi and Stefano Lancioni
by Francesco Thau
54mm
28mm
54mm
1/9
54mm
The death of General Ponsonby
Standard-bearer de La Concejil de Madrid
by Arianna Cipriani
Sapeur
by Rob Norris
The Battle of Azincourt
by Raffaele Nalin
Rifle Charleville 1777
Armeria Davide Pedersoli & C.
Imperial Carriage
by Gabriele leni
75mm
75mm
1/80
180mm
Magister Militum
by Orlando Cenciarelli
Moby Dick over the tale
by Antonio Leveque and Diego Natalino
by Simon Antelmi
French drummer and Rifleman
R
EENA CT MENT
58
HIST OR ICA L
The historical commemoration of
the Battle of Marengo
by Thomas Abbondi and Stefano Pedersoli
6
In parade
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Editorial Director
Thomas Abbondi
Publisher
Auriga Publishing International S.r.l.
Administrative Office
Via Bressanone 17/1 - 16154 Genoa
Chief Editor
Thomas Abbondi
Editorial Secretary
Giovanni Azzarà
Publishing Director
Alessandro Bruschi
Graphics
Cristina Bonanno
Contributors
Piersergio Allevi, Simon Antelmi, Orlando Cenciarelli, Arianna Cipriani,
Stefano Lancioni, Gabriele Leni, Antonio Leveque, Raffaele Nalin,
Diego Natalino, Rob Norris, Fabio Nunnari, Stefano Pedersoli,
Francesco Thau
I
Publication registered at Court of Genoa on 03/04/2001 at no. 20.
All rights reserved. No part of this magazine may be reproduced
without the prior written authorisation of the Publisher.
© 2017 Auriga Publishing International S.r.l.
Auriga Publishing International S.r.l.
Via Bressanone 17/1 -16154 Genoa
Correspondence and Advertising
Redazione Soldatini
Auriga Publishing International S.r.l.
Via Bressanone 17/1- 16154 Genoa - Fax +39 (0)10 6018430
E-mail: soldatini@aurigapublishing.it
t is that time of year when the days are shortened, it is cold outside
and we tend to stay holed up at home to read, watch a film or sit at
our work tables to mess with putties and brushes. I take advantage
of it to give me supplies of history books and uniforms and stack up war
movies, old and new. About movies, lately I went to see Dunkirk of
Christopher Nolan, beautiful, intense, a modern approach to the histori-
cal/war films, where the human element dominates the epic scenes and
action. I have read and heard comments about the inaccuracy of certain
scenes or details. It seemed to me to feel the same speeches that have
been going on for years around our world, the fierce criticism for inac-
curacies uniformologiche or presumed such. Either way I have a bene-
volent look, if we are not faced with temporal paradoxes and the piece
evokes pathos, you can close an eye on some error. Then certainly you
should have the tact in pointing out the inaccuracies, without elevating
to professor and diminishing the work of others, just as you have to
make a bath of humility, sometimes, and accept the criticism that we are
moved if constructive. Instead, I see that there is an objective difficulty
in moving and receiving criticism, especially on social issues, so it is
worth silencing and not expressing judgments, unless they are positive.
It is an approach to the issue but it does not help to grow and above all
undermine the spirit of collaboration and camaraderie that should be
among us enthusiasts. We love you.
Giovanni Azzarà
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Created in Italy
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