128 2018 02-03 SOLDATINI (ENG).pdf

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B
IMONTHLY
- F
EBRUARY
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ARCH
2018
128
www.aurigapublishing.it
IL GRANDE DISTRIBUTORE ITALIANO DI LIBRI STORICI,
MILITARI, UNIFORMOLOGICI, AERONAUTICI, MODELLISTICI E NAVALI.
VASTISSIMA OFFERTA DI TITOLI PRESTIGIOSI A LIVELLO MONDIALE.
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ISITA IL NOSTRO SITO
NUMBER
128
C
REATIONS
8
30
32
42
58
Maternity
by Antonio Leveque and Salvatore Lamonaca
Armeria Davide Pedersoli & C.
by Silvano Tomaselli
70mm
Brown Bess - Land Pattern Musket
The War IN Solitude, Dolomites 1916
“El milagro de Empel”
by Danilo Cartacci and Maurizio Bruno
by Fabrizio Marini
54mm
80mm
1/35
A friendly boxing match
E
VENT
18
Monte San Savino 2017
6
In parade
Editorial Director
Thomas Abbondi
Publisher
Auriga Publishing International S.r.l.
Administrative Office
Via Bressanone 17/1 - 16154 Genoa
Chief Editor
Thomas Abbondi
Editorial Secretary
Giovanni Azzarà
Publishing Director
Alessandro Bruschi
Graphics
Cristina Bonanno
Contributors
Maurizio Bruno, Danilo Cartacci, Salvatore Lamonaca,
Antonio Leveque, Fabrizio Marini, Fabio Nunnari,
Stefano Pedersoli, Silvano Tomaselli
H
Publication registered at Court of Genoa on 03/04/2001 at no. 20.
All rights reserved. No part of this magazine may be reproduced
without the prior written authorisation of the Publisher.
© 2018 Auriga Publishing International S.r.l.
Auriga Publishing International S.r.l.
Via Bressanone 17/1 -16154 Genoa
Correspondence and Advertising
Redazione Soldatini
Auriga Publishing International S.r.l.
Via Bressanone 17/1- 16154 Genoa - Fax +39 (0)10 6018430
E-mail: soldatini@aurigapublishing.it
ow far will we be able to push with the technical sophi-
stication? I ask myself this question because I keep seeing
things amazing, especially from a pictorial point of view,
we have now come to hyper-realism. These pictorial passages are
clearly diffused in the major scales and on the busts, but they
outline a new trend in our world. Just a short time ago, a well-
known painter and friend painted a medieval bust reproducing the
metal parts without the use of metallic tints succeeding in an
incredible effect. You'd be breaking the brushes and giving your-
self to the bowls! Yet so it is not, there is room for everyone in our
world, if on the one hand it ends the finesse of the painting and
the ability to replicate the real, on the other hand there are pain-
ters who stretch the brush with instinct and vehemence. After all,
if in art, with a capital just, we admire Leonardo and Caravaggio
as well as Rembrandt and Van Gogh, the same we can do in
miniature art.
What counts in the end is the emotion that arouses the view of the
work, then we can dwell on the technique but this is and will
always remain subordinate to "pathos". Be quiet dear readers,
there is no need for sublime technique so, we can return to our
brushes and colors and have fun as much as we can!
A hug
Giovanni Azzarà
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Created in Italy
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