Greatest.Guitar.Solos.of.All.Time.GSL.pdf

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THE
RECORDING
,
Wolf
Marshall: guitars
Michael
Della
Gala:
bass
Mike Sandberg:
drums,
percussion
John
Nau: keyboards
Gary
Ferguson:
additional
drums
The titles
in
this
book include:
"Hound
Dog"-Elvis
Presley (with
Scotty
Moore)
"No Particular
Place
to
Go"-Chuck
Berry
"The Sunshine of Your
Love"-Cream
"l.ley
Joe"-Jimi
Hendrix
"While My Guitar Gently
Weeps"-The
B'eatles
(with
Eric Clapton)
"The
End"-The
Beatles
"Babe
I'm
Gonna
Leave
You"-Led
Zeppelin
"You.Shook
Me"-Led
Zeppelin
"Evil
Ways"-Santana
"l;s1
fllsp"-Black
Sabbath
"All
Right
NoW'-Free
"Bohemian
Rhapsody"-Queen
'Walk this
Way"-Aerosmith
"Sultans
of
Swing"-Dire
Straits
"You Really
Got
Me"-Van
Halen
"Crazy
Train"-Ozzy
Osbourne (with Randy
Rhoads)
"Crossfire"-Stevie
Ray Vaughan
"Sweet Child
O'Mine"-Guns
N'Roses
d
HOUND
DOG
Words and
Music
by
Jerry
Leiber
and
Mike
Stoller
Figurel
-GuitarSolo
Scotty Moore is
universally
acknowledged as the world's first
rock'n'
roll
guitarist-a
strong statement,
perhaps...but
consider this: His lead playing
on
Elvis
Presley records
in
the
1950s
set in
motion,
and
brought
to
mass
public
attention,
the art
of
rock guitar.
Moore
was
the first
rock
guitar
innovator.
His
style
was truly
eclectic
and
pioneering.
Working without
a
preconceived blueprint,
he
freely
combined elements
from
disparate
influences such as country
(Merle
Travis and
Chet
Atkins), blues (B.B.
King
and T-Bone
Walker),
and
jazz
(Barney
Kesselland
Johnny
Smith)to
form the
basis
ol
his influential guitar approach.
Before
Scotty, rock
'n'
roll guitar
was
an obscure and regional medium at
best.
With
Scotty,
rock'n'
roll
guitar was
codilied
and
at the center of
a
revolution in popular
music.
Scotty
blazed the
trail
for
much
of
what
followed,
and
inspired
subsequent generations
of
rockers including
the
Beatles,
the
Stones,
Jimmy
Page, and
counlless
others.
His solos
from the
Sun Sessions and
the early
RCA
years are
deemed
by
most historians and legions of players to
be
the first
of
their
kind-marking
the
beginnings of a vital new artform which still shows no signs of abating
some
45 years
later.
Scotty Moore's guitar solo on "Hound
Dog,"
a
raucous #1
hit
single
for
,
the
King
in
August,
1956, is one
of
his all-time best.
The
brief
but
memorable
outing
has
many classic Moore signatures including swing-based,
horn-like
lines,
rockabilly-llavored double-stop bends, and
gritty
blues-oriented
string
bending. lt's
played over one chorus
of
a
12-bar
blues
in
C.
Scales used:
C minor
pentatonic
(C-Eb-F-G-Ab);
C
major
pentatonic
(C-D-E-G-A);
C
Btues Scate
(C-Eb-f-fil-O-Ab).
Significant
added
tones:
Dfi
(measure
5);A
(measures
6-1i);
B (measure
7).
Solo
signatures:
Mixture
of
single-note
and
dyad textures;
double-stop bends; blues; country and swing phrasing within a
rock'n'
roll context.
Performance notes:
The single-note portions exploit
a
wider
range of
the
guitar
than
had
been
previously
found
in most
early
rock
'n'
roll
single-note solos.
These
occur
in
the third, fifth, and
eighth
positions.
Though Scotty
Moore
generally
played
with
a
thumbpick
and three
fingers,
this
sleek single-note solo sounds
like
he might be using only
the
thumbpick
or a flatpick.
Sound:
Gibson
L-5
archtop
hollowbody
electric
guitar
with
P-90
pickups
and Gretsch
heavy-gauge strings;
small, slightly
overdriven
combo
tube amps:
Fender "TV-front"
tweed
Bassman
or
custom-
made
Echo-Sonic
amp built by
Ray
Butts.
0
o
Fig.
1
Featured Guitar:
(right Channel of audio)
Gtr.
1 meas.
1-13
Slow
Demos:
Gtr.'l
meas.
1-3; 4-5;
6-9;
10-1
1:12-13
Guitar
Solo
Moderately
Fast
shuffle
Gtr.
1
)
=
174
t
"-]
l
t.lrl
10501
a
minor
L
pen(atontc
C
major
pentatonic
C
major pentatonic
C
blues
scale
U4
@
C
minor
pentatonic
C
major
pentatonic
@
Copyright
@
1956
by Elvis Presley Music, lnc. and Lion Publishing Co.,
lnc.
Copyright Renewed, Assigned to Gladys Music (Administered
by
Williamson Music) and MCA Music Publishing, A Division of Universal Studios,
lnc.
lnternational Copyright
Secured
All Rights Reserved

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